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Publications conceived and edited by Jeffrey Shaw

iCinema digital arts edition
Editors: Dennis Del Favero, Ursula Frohne, Anna Munster, Jeffrey Shaw

The Digital Arts Edition (DAE) publication, formerly published by the ZKM, in Karlsruhe Germany, is now to be jointly published by the iCinema Centre for Interactive Cinema Research, UNSW, Sydney, ACMI, Melbourne, ZKM, Centre for Art and Media, Karlsruhe, the International University Bremen, Bremen (IUB).

In support of its strengthening as an academic organ of research in new media and with a view to widening its influence among practitioners in the field, the joint publishers have established an editorial board to review submissions for inclusion in selected issues. Until now each issue of the DAE has focused upon a specific theme and contributions have been invited from recognised artists and writers in the field. The establishment of an editorial board heralds a more open, if perhaps more competitive approach to the content published. The opening up of opportunities for publication to a wider range of artists and writers in the field will be offset by a more challenging critique of their contributions prior to inclusion.

The first new title in the series will be published in 2004 under the title of Un_imaginable. This issue will be complemented by an international conference to be held at International University Bremen, Bremen and at the University of New South Wales, Sydney.

"Future Cinema. The Cinematic Imaginary after Film"
Eds. Shaw, Jeffrey and Weibel, Peter, ZKM Karlsruhe and Massachusetts Institute of Technology, Cambridge, Mass., Cambridge Mass./London: MIT Press, 2003

The "Future Cinema" exhibition offered the context for bringing together for the first time a large number of highly significant cinematic installation, multimedia and net based works that have been produced by both young and established international artists working in this field over the last ten years.

ZKM digital arts edition
CD-ROM and DVD-ROM series, 1998-2003

The "digital arts edition" was launched as a CD-ROM and DVD-ROM platform to present stand alone interactive works which have been produced at the ZKM Institute for Visual Media. This series encompasses original art works by individual artists, as well as thematic productions such as William Forsythe' "Improvisation Technologies", which has been singled out as a milestone in the digital representation of a dancer's theory and practice.

  • Norman M. Klein: Bleeding Through: Layers of Los Angeles 1920-1986

  • DVD-ROM and booklet with texts by Rosemary Comella, Marsha Kinder, Norman M. Klein, Andreas Kratky and Jeffrey Shaw
    Stuttgart, 2003 - ISBN 3-7757-1280-1
  • Granular Synthesis: Immersive Works 1992-2002

  • DVD Video and booklet
    Stuttgart, 2002 - ISBN 3-7757-1351-4
  • (dis)LOCATIONS

  • DVD-ROM with works by Dennis Del Favero, Agnes Hegedüs, Ian Howard, Susan Norrie, Jeffrey Shaw and Peter Weibel
    Book with texts by Jill Bennett, James Donald, Ursula Frohne, Charles Green, Lev Manovich, Anna Munster and Peter Weibel
    Stuttgart, 2001 - ISBN 3-7757-1087-6
  • William Forsythe: Improvisation Technologies. A Tool for the Analytical Dance Eye

  • CD-ROM and booklet with a text by Roslyn Sulcas
    Stuttgart, 1999 - ISBN 3-7757-0850-2
  • Kiyoshi Furukawa, Masaki Fujihata and Wolfgang Münch: Small Fish

  • CD-ROM and booklet with texts by Volker Grassmuck, Wolfgang Muench and Heike Staff
    Stuttgart, 1999 - ISBN 3-7757-0846-4
  • Dennis Del Favero: Cross-Currents

  • CD-ROM and booklet with a text by Nikos Papasterigiadis
    Stuttgart, 1999 - ISBN 3-89322-448-3
  • Tamás Waliczky: Focusing

  • CD-ROM and booklet with a text by Lev Manovich
    Stuttgart, 1998 - ISBN 3-89322-447-5

    artintact - Artists' Interactive CD-ROMagazine
    CD-ROM series, 1994-1999

    Launched in 1994 when the CD-ROM first emerged as a mass medium for interactive entertainment, the intention was to establish this technology as a viable platform for qualitative interactive art works. Through its residence program, the ZKM Institute for Visual Media invited media artists to create original works for this publication. Between 1994 and 1999 five editions of "artintact" were produced, presenting a total of fifteen works by the internationally renowned media artists. Each "artintact" CD-ROM was embedded inside a scholarly book where invited writers could reflect on the artists' works and the nature of the medium itself.

  • The complete artintact 1994-1999

  • DVD-ROM and booklet with essay by Timothy Murray
    Stuttgart, Cantz, 2002 - ISBN 3-7757-1092-2
  • artintact 5

  • CD-ROM with works by Masaki Fujihata, Agnes Hegedüs (H/D) and Forced Entertainment & Hugo Glendinning
    Book with texts by Gerhard Johann Lischka, Tim Etchells, Masaki Fujihata, Peggy Phelan, Hans-Peter Schwarz, Tjebbe van Tijen
    Stuttgart, Cantz, 1999 - ISBN 3-89322-949-3
  • artintact 4

  • CD-ROM with works by Marina Grzinic & Aina Smid, Dieter Kiessling and Anja Wiese
    Book with texts by John G. Hanhardt, Marina Grzinic, Kathy Rae Huffman, Barbara Köhler, Carina Plath, and Astrid Sommer
    Stuttgart, Cantz, 1997 - ISBN 3-89322-926-4
  • artintact 3

  • CD-ROM with works by Ken Feingold, Perry Hoberman, and George Legrady
    Book with texts by Peter Weibel, Annika Blunck, Erkki Huhtamo, George Legrady, Peter Lunnenfeld, Miklós Peternák and Andrea Zapp
    Stuttgart, Cantz, 1996 - ISBN 3-89322-861-6
  • artintact 2

  • CD-ROM with works by Luc Courchesne, Miroslaw Rogala and Tamás Waliczky
    Book with texts by Christoph Blase, Timothy Druckrey, Jean Gagnon and Anna Szepesi
    Stuttgart, Cantz, 1995 - ISBN 3-89322-715-6
  • artintact 1

  • CD-ROM with works by Jean-Louis Boissier, Eric Lanz and Bill Seaman
    Book with texts by Dieter Daniels, Jean-Louis Boissier and Anne-Marie Duguet
    Stuttgart, Cantz, 1994 - ISBN 3-89322-675-3

    "Hardware Software Artware. Confluence of Art and Technology"
    Art Practice at the ZKM-Institute for Visual Media 1992-1997
    Book with CD-ROM, Karlsruhe, 1997

    "Hardware Software Artware" is a comprehensive guide for the artistic deployment of multimedia. The writers examine media concepts, projects and artworks by analysing work produced at the ZKM Institute for Visual Media. They discuss the relationship between artists and programmers, and the developments undergone by media technologies at the Institute from 1992 up till 1997. The book opens up a wholly new approach to the deployment of digital media in the context of art production and research, and illustrates the fascination emanating from a preoccupation with media technologies.